Whoa, what a hiatus. It has been a few months since I wrote anything on the site (given the pressures of the daily grind, a few changes The Tech Kaiju has to go through, and… More
I agree, the hobby is quite a subjective one. With a market full of products for the hobby, it is quite challenging to find the right fit for an IEM that will suit your taste, even more in such cases wherein your preferred sound signature is not of the usual norms. Even in the case of common ones like the bassheads, there still is a distinction as to how one would like his IEM is tuned (some would like a very tight mid-bass or an extended sub-bass, pick your boat ladies and gentlemen).
In my case, it can indeed be challenging. Yes, I would like my IEMs a tad bright, but of course, I have this specific tuning on the higher frequencies that in a split can border beyond ticklishly sparkly or brutally piercing (of course I go for the first, who would want a piercing sound signature? — okay my apologies, some might, although I cringe at that, what the hey, some people says my preference can sometimes be a bit of an ear shredder). However, as I primarily look into the brightness of an IEM, I still would want it to have a bit of body to go along with the brightness and a good, decent amount of mids to keep the IEM glued into my ears for a few hours. I can be specific, but just like most enthusiasts, I would rather go and try to see if it fits my need.
Fortunately enough, I came across this nice little gem from Whizzer, the Haydn A15Pro. Whizzer can be considered somewhat a new brand in the market, but the A15Pro isn’t their first batter off the plate of the hobby as they initially released the A15 earlier. This was an offer made by Whizzer for me to take the A15Pro for a spin and see how well it fares and perhaps to be candid as to how I think about the IEM. To be honest, I wasn’t expecting too much out of the little devil, thinking that it might just be one of those lows-heavy IEM usually coming out in the market. Upon trying though, I will have to admit that my prejudice was unfounded: this devil is actually good!
Let me take you through the IEM and see how it might fit your taste as well. Continue reading “BUS RIDE IMPRESSION: Whizzer Haydn A15Pro”
Whew, been a while.
Welcome again to another installment of Bus Ride Impression. The seasons seems to have taken a toll on me given how busy I have been for over a month now, not being able to write anything for you, my loyal readers. So allow me to apologize for the absence, times are trying, pair that with the seasons coming and you can pretty much imagine how busy I have been (a loss in the family held me back a bit, so again, my apologies).
However, as I pick myself up, I would normally go for something that I really enjoy doing, like writing for the column. And as I have been missing in action for a good few weeks, this is practically just right for me to get back to.
So, for today, I am writing about one of the newest IEMs in the block, the IMR Acoustics R1. IMR Acoustics is a new brand being helmed by Bob James of the famed Trinity Audio brand, and he decided to depart from Trinity Audio to pick up a brand of his own. I will really not go into details, but I guess that move somehow allowed Bob to really go at it, making IEMs the way he used to back in the Atlas days. I must say, he has outdid himself after several designs of his previous works.
So, does the IMR R1 offer anything that is much different from Bob’s previous works? If so, how much different? Considering the price tag of 500 GBP, is worth the investment? Let’s find out then. Continue reading “BUS RIDE IMPRESSION: IMR Acoustics R1”
We at The Tech Kaiju were given a privilege as we were invited to the launch of the latest Chord product, the Poly organized by Beyond Innovations, the official distributor of Chord in the country on November 9, 2017. People from media, audio groups and dealers gathered as no less then John Franks, the Founder and Chief Engineer of Chord walked the audience through their latest innovation at the event held at the Kuppa Roastery & Cafe.
John Franks and Robert Wong of Chord Business Development explained how the Poly plays a major role in the ever advancing technology of sound. They also got the chance to mingle with the crowd and answer the audiences’ inquiries about Chord and what it holds in the future.
John Frank and Robert Wong discussing insights on what Poly has to offer.
The audiences were also given a chance to audition the Poly along with other brands carried by Beyond Innovations like Beyerdynamic and AKG. The crowd was also given a treat as freebies and discounts were offered on the event for Poly.
Focal Multimedia – Philippines in collaboration with Philippine personal audio group Audio-Fi held a product showcase at The Curator Coffee & Cocktails, Makati City which also served as the launch point for their newest product, the Focal Listen.
Audio-Fi members had a blast as they had the chance to try Focal’s newest outing. Focal Listen was a revelation as it yielded an incredible sound coming from a relatively affordable can.
Focal Multimedia PH Marketing & Sales Manager Johann Tiu indulged the Audio-Fi members as he showcased Focal’s market level products such as the Spirit Classics, Spirit Pro, Sphear, Spark as well as their newest product Listen. He also even engaged in the music listening session and even ran a contest where 3 winners went home with Focal goodies.
At some point in this hobby you will get to that crossroad thinking what is the practical route to take. As a hobbyist, ideally you should be governed as to what sound you will get out of your setup. However, there’s a plethora of factors to consider, primarily whether if you will go portable or stationary. While I would assume that hordes will prefer to go portable, there still is a considerable number of folks who would prefer a desktop setup considering the value they get out of it in terms of the sound. However, in spite of that, the reason why a lot would prefer to go portable is because we are practically living in a very fast environment nowadays; much more people are mobile given our daily lives whether it is due to work or school.
Given this point, another factor to look into is the efficiency of the music source you are getting. While cost plays a huge role when picking the right gear, one would think of it more on practicality rather than just being blunt; that is, going for what is cheaper (this should be the ideal as price to performance is the right measurement of practicality, not low price period) should be equated by one’s expectation as to what kind of sound one will get out of the gear. Continue reading “BUS RIDE IMPRESSION: Oriolus DP100”
Wow. This was all I could say upon trying Light’s Blur 魔王. This is one of those few custom earbuds that you can only get by contacting the maker for one, and this one doesn’t come cheap. I know, why in the world would one want to splurge around $300 for an earbud? The price alone can net you a really good amp, or even an excellent DAP, even a really good pair of cans so why indeed?
Once you get hold of the Blur 魔王, I assure you, you will understand; pretty much everything about it exalts why the earbud is priced as such. Heck, after trying it on, I will be gutsy to say that it should have been worth more than that.
At this point I have tried quite a lot of earbuds offered in the market and this by far has to be the best that I have tried, even better than the renowned MX985 by Sennheiser which used to be on the top of my list. Funny thing, the first few times I tried this I had the gall to say that this beauty isn’t exactly the best there is in the market (a couple of friends were astounded when I said it) but when I had a better environment to try it out, I immediately became a believer. Continue reading “BUS RIDE IMPRESSION: Blur 魔王”
I was posed a challenge by two good friends, Light and Peter. These two are both comrades in terms of love for earbuds (apart from Max who of course should be the head honcho when it comes to everything earbuds in my opinion) and I must say, the proposition that they offered is quite hard to resist as much as it is quite hard to do. You see, I would like to knock the heads of these two when they offered me to do a shootout between the Seahf 650 Ohms and the TY Hi-Z 650 Ohms, I honestly am not sure if they were just making fun out of me as they know it will be quite a tight fight and would like me to have a bit of a challenge or if they themselves are curious as to whether get the other. Either way, I would like to thank these two knuckleheads for allowing me a chance for a lengthy time to compare the two as I admitted that it will be a very tough review.
True enough, I needed more time in comparing the two as it has similarities and difference which may not always be seen easily by most people. Yes, they may sport a bit of difference but then again, closer scrutiny is necessary to identify the discern which performs better or, whichever suits one’s taste.
Let’s now go through these two wonders and see how they fared against each other. Continue reading “BUS RIDE IMPRESSION: 650 Ohm Earbud Shootout”
Hello again and welcome to another edition of the Bus Ride Impression! For today’s edition, I am pretty much a lucky guy having been granted an opportunity to try the Master & Dynamic MH40. This can has been in my radar for quite some time now and to be honest it has caught my fancy given the feedback I have been reading about it on top of how it looks. Pardon me, but while the aesthetics did catch my attention, I have been interested as to how it sounds. I believe that the MH40 is one of the underappreciated brands in the market that deserves some attention thus my interest.
Lo and behold, upon getting my hands on one (thanks Pete for the loaner), my suspicions has been allayed; it does sound fantastic as it looks. I therefore think that it is about time the local market pay attention to one of these babies given how well they sound especially if it meets your preference. I would say that this should be part of a personal audio enthusiast’s collection given how well it works with a few of the sources that I tried it with.
Let’s get on with the review and find out how well it does. Continue reading “BUS RIDE IMPRESSION: Master & Dynamic MH40”
Was waiting for this for a very long time. Was even shaking with anxiety as to when I can make this happen. And then good friend Gef told me that I can have the Chord Hugo 2 for a couple of weeks. I froze. I felt like I won the jackpot.
Welcome to another installment of the Bus Ride Impression and I am writing today quite jittery as I have something really good in store for this episode. Man, I know these are the kinds of toys that I should be saving up on, but given that I am such an obedient husband, I have relinquished my plans of getting one of these bad boys to probably next year as I prepare for something REALLY big for Aurem Fidelitatem in the next couple of months. However, since I have a very generous friend as a benefactor, I am not planning to pass up on the chance to have this baby sleeping with me for the next few weeks so here it is: the Bus Ride Impression on the Chord Hugo 2.
Chord started shipping Hugo 2 to its fans around April of this year, and boy I can picture the anticipation on the faces of these fans given the success of the first iteration of the Hugo. Who wouldn’t? I mean if Mojo was already a breakout success, much more with its bigger sibling who has been making waves since a few years back. And now the new iteration of the Hugo is out in the market, I kind of expected it to be more impactful given its reputation. Continue reading “BUS RIDE IMPRESSION: Chord Hugo 2”
One would probably wonder as to what else can Trinity Audio offer now that they have laid out most of their recent outings for the season. Sure, Trinity Audio has the 12 pair tuning filter on every product they currently have, so most of the TA fans must have memorized each and every tuning filter there is for the brand. Apart from that, one might probably ask, “what else is new?”.
Enter the Trinity Audio Sagaris Icarus III. One would think that the said IEM would just offer the fanciful face plates you can switch around based on your preference. Yes, it is nice and nifty, but upon trying the IEM, one would wonder how in the world does Trinity Audio able to come up with yet a different style out of its tuning given its usual formula.
Let’s read on and find out how the Icarus III fare.
As mentioned, TA pulled some bells and whistles in terms of looks with the new Phantom Master and with the Icarus III through the face plates which allows users some sort of customization. This should be nice as it allows one not to only change the sound signature through its tuning filters but also with how it looks. For some, this allows some updates on the looks once one gets tired of it, and can even allow ease in identifying which earpiece goes to which ear. Not only aesthetic, but should be quite functional. The Icarus comes with a pair each of gold fibre, polished blue and polished red face plates, but given the current air of technology, some pretty crafty dudes can even come up with other colors through a 3D scanner and printer.
The Icarus III also emulated the new Master with its cable management tech by terminating the earpieces at the cable splitter, which according to TA is to allow the IEMs to be used in single ended connection and in balanced connection in preparation for its Sagaris DAP and DAC. This I think is quite a good move as the package comes with a single ended 3.5mm-3.5mm cable (TRS) and a 3.5mm-3.5mm balanced cable (TRRS), which means it can be used with balanced sources like the HM901S. Furthermore, one can still opt to get a custom 3.5mm-2.5mm TRRS cable for other balanced sources should this be the case for their DAPs. Only issue I have is that it would have been nice if the earpieces are detachable with either 2-pin or MMCX termination, although for some it won’t really be much of an issue since the cable splitter already allows one to switch around cables for SE to balanced options. This is really just a matter of what floats their boats.
Shells are obviously where TA invested on improvements. While the older IEMs of TA has an uncanny issue on durability, TA decided to make this issue a thing of the past. The shell halves are now secured by screws, which mean only the totally clumsy ones can wreck havoc on the otherwise sturdily built earpieces. Overall, it is a kudos for TA to keep on improving their craft. This should quell some people’s malicious claims on TA IEMs’ durability.
As usual, the Icarus III carries twelve pairs of tuning filters, which should allow its users a wide array of tuning options.
In terms of weight, the Icarus is also significantly lighter compared to the new Master. Perhaps it was because of the number of drivers the new Master has, that I really am not sure.
Overall, the build of Icarus III has indeed been incredible, perhaps one of the best in terms of durability. Paired with TA’s one year warranty, the Icarus should be one of the best, at least on its price range when it comes to durability.
As I have said, one would wonder if TA has anything else to offer with their new line Sagaris. Fair enough, based on my initial impressions I was able to draw some differences on how TA tunes their usual lines particularly the Phantom series.
With Sagaris, TA opted to go for a couple of different drivers. They are pretty much driven off the typical BAs and DDs, and I was not really sure how the dual coil electroacoustic transducers and the series 2 wideband balanced armatures would sound differently from the typical ones. This we will tackle as I take the Icarus III for a spin.
For the test, I will go with my trusty Hifiman HM-901S and Aune M1S. Will also be switching the SE and balanced cable around to see how much difference it will make in comparison to each other.
Gravity (Sara Bareilles, Brave Enough: Live At The Variety Playhouse)
Perhaps this is where the strength of the Icarus III lies: live tracks. It places you in the midst of the crowd with relatively close seating from the stage. You won’t hear any echoes, Bareilles’ voice stands out well while harmoniously accompanied by the piano. The crowd erupting in applause only adds to the sense of realism you hear off the track, and it actually gave me goosebumps especially around 3:30 of the track. Bareilles’ voice was really made to shine with the Icarus III. Perhaps it was because of the gold undampened filter that I used, but the mid ranges are definitely spectacular, more so when using the balanced connection on the HM-901S which added an even wider soundstage and better clarity of the higher frequencies.
The Day I Tried To Live (Soudgarden, Superunknown)
This track sounded quite very interesting for me. Started off using the purple filters and balanced cable, the guitars at the start of the track sounded very distinct and crisp, with the drums entering with such resonance. Sub-bass is just lovely, with that very clean rumble that doesn’t spill over the neighboring frequencies. Cornell’s voice also stood out, but a bit of a downside is how rolled off the cymbals sounded like. Not too rolled off, but me being who I am feels that it somehow rolled off a bit too early for my taste. Soundstage still is superb, width is far more superior to the point that I feel this usually from open backed cans.
Dreams (The Cranberries, Everybody Else Is Doing It, So Why Can’t We?)
On the third track of the test, one thing stood clear, that is the Icarus III sounded with such excellent clarity. I tried to do some filter rolling and I still get to be satisfied with the level of clarity the Icarus III delivered. With Dreams, details sounded crystalline and no hint of veiling was observed. The details are amazing to the point that micro details are easily distinguishable. Of course, there’s also the separation which is, I must say, is better than most IEMs I have tried at the same price range. The rumbles on the track was amazing, guitar strums lingered quite well (pun unintended), vocals showed such assymetry that is truly awe-inspiring. I just realized that I am getting hooked with the Icarus III at the moment.
Between the balanced and single ended cables, I will have to say that I urge anyone who gets an Icarus III to please, please try the balanced cable. While the single ended connection is already excellent, I will have to insist that you try to use the balanced cable and be blown away. I think with the balanced cable, the dynamics and soundstage improved even further.
So the verdict? I am hooked with the Icarus III. I will have to laud Trinity Audio for coming up with the formula. You see, most cases in the IEM sector of the hobby would depend on the regular BA and dynamic drivers, but TA did something that not every manufacturer is always willing to do: venture with new techs for better sound. It is understandable, in fairness, as catastrophe might hit if they try to tinker with a rather little known technology. With TA, they took the gamble, and with the skills (and ears) they have, it is no wonder they were able to capitalize on the technology quite well.
The Trinity Audio Sagaris Icarus III retails for 235 GBP, but trust me, the IEM sounded way much more than the value. I may be overstating it, but I haven’t come across something like this for quite some time now. If you got the budget and you want something amazing, I highly recommend it. I am not asking you though to take my word for it, but I highly encourage you to take it for a spin, and I assure you that if every you have doubts, all of those will be allayed.